“The first ice worms species were discovered in 1887 in Alaska, on the Muir Glacier .[2] These glacier ice worms can be found on glaciers in Alaska, Washington, Oregon and British Columbia. They have not been found in other glaciated regions of the world.”

After the last of the murders, an article appeared in the newspaper of W. T. Stead, the Pall Mall Gazette, by Tau Tria Delta, [D’Onston] who offered a solution for the motive of the murders. It stated that in one of the grimoires of the Middle Ages, an account was given of a process by which a sorcerer could attain “the supreme black magical power” by following out a course of action identical with that of Jack the Ripper; certain lesser powers were granted to him spontaneously during the course of the proceedings. After the third murder, if memory serves, the assassin obtained on the spot the gift of invisibility, because in the third or fourth murder, a constable on duty saw a man and a woman go into a cul-de-sac. At the end there were the great gates of a factory, but at the sides no doorways or even windows. The constable, becoming suspicious, watched the entry to the gateway, and hearing screams, rushed in. He found the woman, mutilated, but still living; as he ran up, he flashed his bullseye in every direction; and he was absolutely certain that no other person was present. And there was no cover under the archway for so much as a rat.

AC

I changed the blog header a little while ago. My friend and cohort Roy Huteson Stewart very kindly let me use a cropped image from his superb artwork for our forthcoming Aleister Crowley graphic novel, Crowley: Wandering the Waste.

Page 43 to be exact. Roy’s pages are things of rare beauty and insight.

Research on Crowley: Wandering The Waste had me scrolling through a copy of Fred Gettings’ Dictionary of Occult, Hermetic and Alchemical Sigils for interesting squiggles which Roy Huteson Stewart might be able to incorporate into the backgrounds and page layouts of the comic. And would you look at what I found on page 201, given as Jerome Cardan’s 1557 sigil for the planet Saturn.

Looks familiar.

Further net-based mooching about led me to this excellent article about the symbol, and Jimmy’s use of it.

Roy Huteson Stewart’s pages are starting to come in thick and fast as he works on Crowley: Wandering The Waste, our collaboration for Insomnia. Here’s a couple of unlettered panels from the prologue…

I’m really enjoying working with Roy, he’s bringing plenty of strange and brilliant ideas to the project that I would never have thought of.  Can’t really ask for much more than that.  He’s also doing a great job capturing the frailty of Crowley in old age.

I don’t know who took the above photographs, possibly Kenneth Grant (one of them does appear in Remembering Aleister Crowley, Grant’s very interesting memoir of his friendship with AC).  Taken in the garden at Netherwood, Hastings. Probably in or around 1945, which would make Crowley approximately 70 years old.

The book is looking like it will end up containing about 90 pages of actual comic, plus 30 or so pages of notes at the back. There may be a gallery at the back too, showing other artists interpretations of AC.

Out towards the end of the year, with any luck.

I signed contracts with Insomnia Publications last week to write an original graphic novel based on the life of Aleister Crowley. This has meant I’ve had to crawl around the attic like some kind of giant, malformed silverfish to gather up all my old Crowley books.

Here’s a few for some light bedtime reading…

It will be done in a similar style to Alan Moore and Eddie Campbell’s  magnificent From Hell - as much as possible based on historical fact but with some fictionalised elements to provide a framework for the story and to really make it sing. Crowley wasn’t averse to fictionalising his own life anyway, so I’m sure he wouldn’t mind too much.

Crowley - Wandering The Waste will be published under Insomnia’s Vigil line of historical graphic novels, probably in 2010.

Not sure yet as to who the artist will be.

I had an afternoon to kill in Dublin last week so went along to the WB Yeats exhibition at the National Library.

Some remarkable objects on display…

Samples of Yeats’s automatic writing.

Samples from his notebooks.

His elemental weapons, made while an “Adeptus Minor” in The Hermetic Order Of The Golden Dawn. Pentacle, Dagger, Wand and Cup.

Yeats was a member alongside Aleister Crowley (before Crowley was more or less chucked out following a great power struggle). Crowley fancied himself as a bit of a poet too and looking up my old copy of his Confessions has yielded some excellent quotes about Yeats…

“I remember one curious incident in connection with this volume. I had a set of paged proofs in my pocket one evening, when I went to call on W. B. Yeats. I had never thought much of his work; it seemed to me to lack virility. I have given an extended criticism of it in The Equinox (vol. I No. II, page 307). However, at that time I should have been glad to have a kindly word from an elder man. I showed him the proofs accordingly and he glanced through them. He forced himself to utter a few polite conventionalities, but I could see what the truth of the matter was.

I had by this time become fairly expert in clairvoyance, clairaudience and clairsentience. But it would have been a very dull person indeed who failed to recognize the black, billious rage that shook him to the soul. I instance this as a proof that Yeats was a genuine poet at heart, for a mere charlatan would have known that he had no cause to fear an authentic poet. What hurt him was the knowledge of his own incomparable inferiority.

I saw little of him and George Moore. I have always been nauseated by pretentiousness; and the Celtic revival, so-called, had all the mincing, posturing qualities of the literary Plymouth Brother.”

and…

“There was one literary light, W. B. Yeats, a lank dishevelled demonologist who might have taken more pains with his personal appearance without incurring the reproach of dandyism…”

I’m almost certain I remember reading that Yeats later described Crowley as a “poet of merit.” But I can’t find the quote.

You can read one of Crowley’s earliest collections of poetry, White Stains, published under the pseudonym George Archibald Bishop and is full of thinly veiled erection metaphors like “My Gigantic Charms” here.